Jenna Gribbon, Silver Tongue, 2019, Price ranges of small prints by Pablo Picasso. ), National Gallery of Victoria, Melbourne 2007, p. 101, Gordon Bennett, Conversation Bill Wright talks to Gordon Bennett, p. 97, the visual qualities and symbolism of art elements such as colour and shape, the symbolism and representation of subject matter/content (including text), the appropriation of the work of other artists, the presentation of the artwork (ie. Gordon Bennett Possession Island , 1991 Oil and synthetic polymer paint on canvas 162 x 260cm Museum of Sydney Gordon Bennett The Coming of the Light , 1987 Acrylic on canvas 152 x 274cm Queensland Art Gallery Collection All Artworks Subscribe Submit Follow Sutton Gallery 254 Brunswick Street Fitzroy 3065 Select two artworks by Gordon Bennett that interest you and discuss how the artists personal background, postcolonialism and/or postmodernism provide a framework for the meanings, ideas and/or formal qualities you find in the artworks. However, in each image the grid effectively highlights the controlled order and structure of knowledge systems and learning in Western culture, and how these frame and influence perception and understanding of self, history and culture. Possession Island, 1991 - Cooee Art Discuss with reference to selected artworks by Gordon Bennett. But the mathematical formulation of linear perspective in the fifteenth century had a powerful influence on the representation of space in Western art from this point. The content of the work was getting to me emotionally. The distorted and exaggerated features of the form incorporate qualities that appear animal and human, male and female. They became a potent symbol of the celebrations. Gordon Bennett (1955-2014) voraciously consumed art history, current affairs, rap music and fiction, and processed it all into an unflinching critique of how identities are constituted and how history shapes individual and shared cultural conditions. Unfinished Business: The Art of Gordon Bennett - academia.edu Buildings and planes collide. 2, I cant remember exactly when it dawned on me that I had an Aboriginal heritage, I generally say it was around age eleven, but this was my age when my family returned to Queensland where Aboriginal people were far more visible. Inspired by African and Iberian art, he also contributed to the rise of Surrealism and Expressionism. In many images of the crucifixion, including the painting by Veneziano illustrated, Mary Magdalene is kneeling at the foot of the cross washing and anointing Christs feet in an act of devotion . The timeline could be presented in hardcopy for display in the classroom, or as an ICT project incorporating images and audio. Bennetts use of the grid in these and other artworks suggests questions and ideas. 75 Artists ideas | artist, art, straight photography Lists of words draw the viewer into a game of word association. Bennett's art engages with historical and contemporary questions of cultural and personal identity, with a specific focus on Australia's colonial past and its postcolonial present. In Malevichs work the black square is seen as having a strong and even spiritual presence. James Gordon Bennett, Sr., a Scottish immigrant, founded the New York Herald in 1835, building the paper from the ground up. The work is a copy of a copy of a copy. The men also paint their bodies in red, yellow, white and black, or in feather down stuck with human blood when they dress up, and make music with a didgeridoo. Home Dcor (Algebra) Ocean, 1998 synthesises the work of Piet Mondrian(18721944), Margaret Preston (18751963) and later in the series, JeanMichel Basquiat(19601988) among others. For Mondrian the grid became the essence of all forms. As the foundation of a system of representation, perspective produces an illusion of depth on an essentially flat two dimensional surface by the use of invisible lines that converge to a vanishing point. Gordon Bennett, Possession Island (Abstraction), 1991. Bennetts use of the grotesque is evident in Outsider, 1988, which makes reference to two paintings by the Dutch artist Vincent van Gogh (1853 1890) Vincents bedroom in Arles 1888, and Starry night 1889. What evidence can you see in this self-portrait of Bennett linking issues of personal identity with broader issues related to history and culture? Possession Island 1991 Oil and synthetic polymer paint on canvas Two parts: 162 x 260cm (overall) The Estate of Gordon Bennett Purchased with funds. There was still no space for me to simply be. We acknowledge the Wurundjeri Woi-Wurrung People as the Traditional Owners of the land on which the NGV is built. She was once thought to be the last surviving Tasmanian Aborigine. The pair of outstretched arms and the diagrammatic outline of a cross- like form in the central panel of Triptych: Requieum, Of grandeur, Empire, 1989 alludes to the figure of Christ crucified on the cross, a common subject in Christian art. Bennett adopted several strategies to resist the narrow framework through which he as an artist and his work were viewed. Gordon Bennett POSSESSION ISLAND 1991 Titled, dated (1992) and signed by the artist on each panel and bears various exhibition related inscriptions and labels on the stretchers, and inscribed with date of completion 29.12.91 on the reverse of the right panel Synthetic polymer paint on canvas (diptych) 162 by 130 cm each panel, 162 by 260 cm overall Gordon Bennett is an Australian artist of Aboriginal descent. On each corner of the grid are the letters A B C D . Discuss in relation to selected artworks by Bennett that you believe reveal questions and complexities, rather than answers and simplicities. He acknowledged that much of his work was autobiographical, but he emphasises that there was conceptual distance involved in his art making . He lived and worked in Brisbane. Gordon Bennett's "Outsider" is a highly emotive piece that conveys various ideas through appropriate symbolism. Bennetts referencing, appropriation and recontextualisation of familiar images and art styles challenges conventional ways of viewing and thinking and opens up new possibilities for understanding the subjects he explored. Bennetts recent abstract paintings reflect links to a range of artists including Australians Robert McPherson, Emily Kam Kngwarray and Ronnie Tjampitjinpa, and International artist Frank Stella. Our experiences in this society manifest themselves in neuroses, demoralization, anger, and in art. my work was largely about ideas rather than emotional content emanating from some stereotype of a tortured soul. Felicity Allen, Gordon Bennett interviewed by Felicity Allen in the. Create an artwork in a medium of your choice that highlights how the meanings, values and ideas associated with these binary opposites influence perception and understanding. This emphasises the works formal qualities and discourages any narrative or symbolic reading of it. These paintings reflect Bennetts belief that after the Notes to Basquiat series of 2003, I had gone as far I could with the postcolonial project I was working through1. Gordon Bennett (9 October 1955 - 3 June 2014) [1] was an Australian artist of Aboriginal and Anglo-Celtic descent. List some of your own qualities and attributes. Once again, the arena of self- portraiture becomes a vehicle to take over and challenge stereotypes. Lichtenstein 19231987). Bennett depicts self as a black empty vessel, coffin- like with lash markings almost disguised by a thick layer of black paint. Gordon Bennett Possession Island (Abstraction) 1991 In Tate Modern Level 3: A Year in Art: Australia 1992 Level 3: A Year in Art: Australia 1992 Artist Gordon Bennett 1955-2014 Medium Oil paint and acrylic paint on canvas Dimensions Support: 1843 1845 mm Collection Tate Acquisition Bennett layered these two distinctly different artists with his own work work previously appropriated from yet another context. exploration: Captain James Cook, Australia landing 1770, Calvert, Samuel, etching, Captain Cook Taking Possession of the Australian Continent on Behalf of the British Crown, AD 1770. New perspectives on familiar images and stories are presented. Possession Island (Appendix 1) 1991 and Notes to Basquiat (Jackson Pollock and his Other) (Appendix 2) 2001 will be discussed in relation to Henri's statement. Dots have been an important element in many of Bennetts paintings as a powerful signifier of Aboriginal art, for example Triptych: Requiem, Of grandeur, Empire. These signs can also be read as evidence that disputes the claim that Australia was discovered terra nullius or nobodys land. 22-24, Gordon Bennett, The manifest toe, in The Art of Gordon Bennett, p. 32, Gordon Bennett, The manifest toe in Ian McLean & Gordon Bennett, The Art of Gordon Bennett, Craftsman House, 1996, pp. Gordon Bennett 1, Bennetts Aboriginal heritage came through his mother. Gordon Bennett - 1352 Words | Studymode Every object is carefully and clearly painted, yet the images conceptually blur together as they intersect and interlace through the grid, across the canvas. This event was re-enacted in many pageants and dramatisations during Australias Bicentenary in 1988, as a way of celebrating 200 years of Australian history. Gordon Bennett Australia 1955-2014. Possession Island No 2 1991 is a painting that shows the British explorer Captain James Cook and other compatriots hoisting the Union flag to claim the eastern coast of Australia for the British Crown in 1770. What does this comment suggest to you about the purpose of Bennetts questioning of history? The viewer does not confront the artist, but self. As a self- portrait, the artist seems to be present everywhere within the installation but is in fact nowhere. Gordon Bennett, born on 16 April 1887 at Balwyn, Melbourne, was Australia's most controversial Second World War commander. Kelly Gellatly 3. Do you agree? Gordon Bennett, The Manifestoe, Ian McLean & Gordon Bennett. Gordon Bennett 3, Bennett married in 1977. He depicts how pain transcends place and event to encompass a global consciousness. The focus on designer style in these interiors, the lack of human presence, and the flat areas of colour with simple black outline, creates a strange feeling of emptiness that sets them apart from Bennetts art. The Whitlam Government abolished the last remnants of the White Australia policy, established diplomatic relations with China and advocated Aboriginal land rights, to name just a few of these changes. Bennett was acutely aware that his own success paralleled the growing contemporary interest in Indigenous art and culture. Throughout his career Bennett has used many different strategies to engage the viewer in his work. His use of I AM emphasises this. They reference the massacres of Aboriginal people in Myth of the Western man (White man's burden) (1992) and The nine ricochets (Fall down black fella, Jump up white fella (1990) and question the valorising of Captain Cook in Big Romantic Painting (Apotheosis of Captain Cook) (1993) and Possession Island (1991). However, he offers more than one interpretation of the grids use, which is indicated by the sampling of works by Australian artist Margaret Preston . The graphic detail in these images, including mutilated, tortured bodies, continue to confront viewers today with the realities of human behaviour and suffering in war. The inclusion of Pollock helps build these cross- connections. He probed ideas about identity, fuelled partly by his own . Victorious soldiers triumphantly and ceremoniously paraded under such arches, sometimes accompanied by their captives. Theyre buried, and this is a way of bringing them back into memory, but remembered in a different way from the way that I was taught, looking at them from a different angle and looking at how they work, where they came from initially, and how these images still support contemporary stereotypes, etc. James Gordon Bennett Quotes - BrainyQuote His bold and humane art challenged racial stereotypes and provoked critical reflection on Australia's official history and national identity. cat. Discuss with reference to Possession Island. Gordon Bennett Possession Island (Abstraction), 1991 Oil and acrylic on canvas 71 7/10 71 7/10 in | 182 182 cm Museum of Contemporary Art Australia (MCA) The Rocks Get notifications for similar works Create Alert Want to sell a work by this artist? The triptych form of painting is most commonly associated with the altarpiece paintings made for Christian churches. Australian politics is fraught yet the Australian public is disengaged. Bennett employs this system using diagrams often labelled with acronyms, such as CVP (central vanishing point), that refer to key features of the system. The word DISPERSE was used by the colonisers to represent the killing of Aboriginal people. How Enlightenment Thinkers Framed the Original 'Cancel Culture' as . Include a selection of relevant artworks by Gordon Bennett to illustrate your timeline. But, in the late 1990s, some residents . A gush of blood red paint shoots into the sky from his body. This approach involved a flattening of the picture surface and often the use of disparate visual elements or styles borrowed or copied from different sources. After working in various trades in his early life, Bennett enrolled as a matureage student at Queensland College of Art in 1986 and graduated with a Bachelor of Arts (Fine Arts) degree in 1988. This was common practice among young Aboriginal girls and women. Gordon Bennett, The manifest toe, pp. 20-21, Gordon Bennett, The manifest toe in Ian McLean & Gordon Bennett, The Art of Gordon Bennett, Craftsman House, 1996, p. 33, Ian McLean, Towards an Australian postcolonial art in Ian McLean & Gordon Bennett, The Art of Gordon Bennett, Craftsman House, 1996, p. 99, Gordon Bennett, The manifest toe in The Art of Gordon Bennett, p. 22, Zara Stanhope, How do you think it feels? in Three Colours , Gordon Bennett & Peter Robinson (exh. Bennett has continued to work in new ways with materials, techniques and images throughout his career, resisting any classification or confinement according to style. Black angels replace traditional white cherubs. The simplicity of I AM suggests a universality of thought. Viewed in this context, the black square in Untitled could be seen as a resilient black presence, asserting itself in the settlement narrative that Bennett deconstructed. Mondrian cages the figures, Preston objectifies the figures; Bennett accommodates both to grasp the intangible and dissect these limited interpretations and stereotypes. The coming of the light suggests questions about the impact of Christianity on Indigenous cultures and people. Would you include work by Gordon Bennett in a text book on Australian history. The title of the work itself is unsettling. The artist has effectively communicated his beliefs on the suppression of Aboriginal culture by combining confronting imagery with the concepts of Vincent Van Gogh, Francisco Goya and Classical art. Using a painting technique, create a finished artwork based on one or some of these experiments. What does Bennetts goal for his work suggest to you about how he views the role of art? Preston envisioned the creation of an Australian aesthetic. Conversation Bill Wright talks to Gordon Bennett, in Kelly Gellatly with contributions by Bill Wright, Justin Clemens and Jane Devery, Ian McLean, Who is John Citizen? Greenaway Art Gallery, 2006, Kelly Gellatly Citizen in the making, in Kelly Gellatly, p. 24. Oil and synthetic polymer paint on canvas Two parts: 162 x 260cm (overall . This canvas is loosely divided into three parts. Cook, l'escroc du Pacifique - CASOAR Arts et Anthropologie de l'Ocanie At the same time his work demonstrates great conceptual unity and interconnectedness. At the time the A$ 1.3 million purchase price was the highest ever paid for a piece of modern art within Australia and the U.S. ww2dbase Henry Gordon Bennett was born in Balwyn, a suburb of Melbourne, near the close of the nineteenth century. Appropriation art is an established postmodernist strategy defined as: The direct duplication, copying or incorporation of an image (painting, photography, etc) by another artist who represents it in a different context, thus completely altering its meaning and questioning notions of originality and authenticity.1. There was always some sense of social engagement. From 2003 Bennett worked on a series of non-representational abstract paintings that mark another significant shift in his practice. In contrast to earlier artworks, where titles often provided a starting point for exploring ideas or issues, Bennetts abstractions are titled with numbers that relate to the order in which they were made. Find examples of the work of these artists. Acutely aware of the frame, I graduated as a straight honours student of fine art to find myself positioned and contained by the language of primitivism as an Urban Aboriginal Artist. Mondrian aspired to create a form of pure abstract art based on the grid and a controlled use of art elements, including primary colours. The mirror, a recurring symbol within his work, is not a two- dimensional illusion but a literal construct. I decided that I was in a very interesting position: My mind and body had been effectively colonised by Western culture, and yet my Aboriginality, which had been historically, socially and personally repressed, was still part of me and I was obtaining the tools and language to explore it on my own terms. He states: The traditionalist studies of Anthropology and Ethnography have thus tended to reinforce popular romantic beliefs of an authentic Aboriginality associated with the Dreaming and images of primitive desert people, thereby supporting the popular judgment that only remote fullbloods are real Aborigines. Bennett not only used Basquiat images, but begins to paint in his style. Gordon Bennett | MCA Australia However, for Bennett, dot painting also became a powerful expression of the connections between nature and culture, which are integral to representation in Aboriginal art. Gordon Bennett 1. 3 Beds. RM 2JEMG56 - A rare old photograph of the 1903 Gordon Bennett trophy race, Ireland - In the 'pits' attendants are cooling down an overheated vehicle with a bucket of water. Bennetts pictures leave us with questions rather than answers, with complexities rather than simplicities as if the origins of truth, identity and ideology are in metaphors and signs rather than in things, and hence are layered and relative Ian McLean 1.
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